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Gerald Hammond, in his book The Reader and the Young Man Sonnets, suggests that the non-expert reader, who is thoughtful and engaged, does not need that much help in understanding the sonnets: though, he states, the reader may often feel mystified when trying to decide, for example, if a word or passage has a concrete meaning or an abstract ...
Sonnet 23 is one of a sequence of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence. In the sonnet , the speaker is not able to adequately speak of his love, because of the intensity of his feelings.
Shakespeare on the other hand shared a reciprocal love with both his lovers; the objects of his love were “articulate, active partners.” [20] Shakespeare's sonnets are divided between his two lovers: sonnets 1–126 for a male, and sonnets 127–152 for a female; the first to a fair youth, and the second to a dark lady. Petrarch's sonnets ...
This category contains a selection of articles about the 154 individual sonnets written by William Shakespeare. For more information see Shakespeare's Sonnets Poetry portal
In the book Bodies and Selves in Early Modern England, Mike Schoenfeldt examines the concepts of physiology and inwardness as seen through the works of Shakespeare, specifically in The Sonnets. Through Schoenfeldt's literary research, he reveals the interaction between "flesh and thought" during Shakespeare's time period. [ 14 ]
Sonnet 6 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence. The sonnet continues Sonnet 5, thus forming a diptych. It also contains the same distillatory trope featured in Sonnet 54, Sonnet 74 and Sonnet 119. [2]
Sonnet 57 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Sonnet 57 is connected with Sonnet 58 which pursues the theme of the poet as a slave of the beloved.
In 1609, Thorpe published the most important work of his career, Shakespeare's Sonnets. His apparent disregard for Shakespeare's permission earned him a poor reputation, although modern author Katherine Duncan-Jones has argued that he was not such a "scoundrel" as he was portrayed, and the amiable and admirable Blount would certainly not associate with him if he were a scoundrel.
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