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Ta-no-Kami is also called Noushin (kami of agriculture) or kami of peasants. Ta-no-Kami shares the kami of corn, the kami of water and the kami of defense, especially the kami of agriculture associated with mountain faith and veneration of the dead (faith in the sorei). Ta-no-Kami in Kagoshima Prefecture and parts of Miyazaki Prefecture is ...
Tamanoya-no-Mikoto, a kami believed to be the creator of Yasakani no Magatama. [26] Takitsuhiko a kami believed to bring forth rain. [27] Tamayori-hime, mother of Emperor Jimmu. [28] Ta-no-Kami (田の神), is a kami who is believed to observe the harvest of rice plants or to bring a good harvest, by Japanese farmers.
The guitarist described "Unmei no Deai", which Kami said had a French-like image, as having a "gentleness" that Malice Mizer had never done before. [1] It was the most difficult song on the EP, and undertook a significant change while they arranged it. [1] Mana felt that "Mori no Naka no Tenshi" was brighter and said it has a "fun feeling."
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In Japanese Ko-Shintō, due to the blessings obtained from water sources, hunting grounds, mines, forests, and awe and reverence for the majestic appearance of volcanos and mountains, these geographic feature are believed to be where the God resides or descends, and are sometimes called Iwakura or Iwasaka, the edge of the everlasting world (the land of the gods or divine realm).
The child was thus named 'Ki(no)mata-no-Kami' (木俣神, from ki (no) mata "tree fork"). [ 70 ] [ 69 ] Ōkuninushi – in this section of the narrative given the name Yachihoko-no-Kami (八千矛神, "Deity of Eight Thousand Spears") – then wooed a third woman, Nunakawahime (沼河比売) of the land of Koshi , singing the following poem :
After defeating the serpent, Susanoo built a palace or shrine for Kushinadahime in a place called Suga - so named because Susanoo felt refreshed (sugasugashi) upon arriving there - and made her father Ashinazuchi its head (obito), giving him the title 'Inada-no-Miyanushi-Suga-no-Yatsumimi-no-Kami' (稲田宮主須賀之八耳神 "Master of the ...
The folkloricist Kunio Yanagita theorizes with words such as "river-child migration" that these seasonal changes between kappa and yamawaro comes from the seasonal changes between faith and the field gods and the mountain gods (Yama-no-Kami) and that since birds could often be heard in many places during those times, it may be related to the ...