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The Good Shepherd, c. 300–350, at the Catacombs of Domitilla, Rome The Good Shepherd (Greek: ποιμὴν ὁ καλός, poimḗn ho kalós) is an image used in the pericope of John 10:1–21, in which Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep.
It affords an easy medium of expressing or symbolizing a virtue or a vice, by means of the virtue or vice usually attributed to the animal represented. Animal forms were traditional elements of decoration. Medieval designers returned to the direct study of nature, including man, the lower animals, and the humblest plants.
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
It is a variant of the "Christ in Triumph" subject of the resurrected Christ, [2] and shows a standing Christ with his feet on animals, often holding a cross-staff which may have a spear-head at the bottom of its shaft, or a staff or spear with a cross-motif on a pennon. Some art historians argue that the subject exists in an even rarer pacific ...
Early 6th century Byzantine mosaic art, depicting Christ separating the sheep from the goats. The blue angel is possibly the earliest artistic depiction of Satan.. The Sheep and the Goats or "the Judgement of the Nations" is a pronouncement of Jesus recorded in chapter 25 of the Gospel of Matthew, although unlike most parables it does not purport to relate a story of events happening to other ...
Intricate artistic renditions of Jesus, whether built with plastic bottles or carved out of sand, are among the most common images. More recently, Jesus has taken on sea creature forms, mainly ...