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Archive Fever: A Freudian Impression (French: Mal d'Archive: Une Impression Freudienne) is a book by the French philosopher Jacques Derrida. It was first published in 1995 by Éditions Galilée, based on a lecture Derrida gave at a conference, Memory: The Question of the Archives, organised by the Freud Museum in 1994. [1] [2]
Jacques Derrida’s Archive Fever: A Freudian Impression (1995) discusses Freud’s use of Jensen’s Gradiva and its impact on poststructuralist thought. Derrida’s exploration underscores the influence of Freudian concepts on contemporary philosophy and art ([Jacques Derrida, Archive Fever: A Freudian Impression.
The following is a bibliography of works by Jacques Derrida.. The precise chronology of Derrida's work is difficult to establish, as many of his books are not monographs but collections of essays that had been printed previously.
The poetry collection consists of three chapbooks in a slipcase, where each chapbook's cover shows an image from a performance by Harkin titled Archive-Fever-Paradox. [1] The book is "a collage of archival extracts together with the writer's poetry, artwork, weaving and installation photo-stills", a form of docu-poetry.
Apparently, design consultant Louis Cheskin convinced McDonald's to maintain its branding with the argument that with the golden arches carried the "Freudian symbolism of a pair of nourishing ...
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[Marx, Freud, and Nietzsche] share a commitment to unmasking 'the lies and illusions of consciousness'; they are the architects of a distinctively modern style of interpretation that circumvents obvious or self-evident meanings in order to draw out less visible and less flattering truths… Ricoeur's term has sustained an energetic after-life ...