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Archive Fever: A Freudian Impression (French: Mal d'Archive: Une Impression Freudienne) is a book by the French philosopher Jacques Derrida. It was first published in 1995 by Éditions Galilée, based on a lecture Derrida gave at a conference, Memory: The Question of the Archives, organised by the Freud Museum in 1994. [1] [2]
Jacques Derrida’s Archive Fever: A Freudian Impression (1995) discusses Freud’s use of Jensen’s Gradiva and its impact on poststructuralist thought. Derrida’s exploration underscores the influence of Freudian concepts on contemporary philosophy and art ([Jacques Derrida, Archive Fever: A Freudian Impression.
The following is a bibliography of works by Jacques Derrida.. The precise chronology of Derrida's work is difficult to establish, as many of his books are not monographs but collections of essays that had been printed previously.
Derrida depicts Nietzsche, Freud, and Heidegger, three of his greatest influences, as ultimately trapped within a destructive spiral of denunciation. [14] Nietzsche questioned the power of representation and concepts to really convey truth; Freud challenged the idea that mind was limited to consciousness; and Heidegger criticized the idea of ...
The first half of the book, titled Envois (sendings), contains a series of love letters addressed by a travelling "salesman" to an unnamed loved one. The latter remembers, for example, "the day we bought that bed (the complications with the credit and the punch card in the store, and then one of those awful scenes between us)". [2]
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The speculative fever that gripped bitcoin and crypto-related stocks in 2024 is unlikely to abate in the new year, strategists said. "2024 was a banner year for speculation, which had morphed into ...
So, you can think of muscle memory as your body’s GPS system: part neurological, part structural, says Rothstein. The first time you try a move, you’re “following directions,” he says.