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Pomo baskets made by Pomo Indian women of Northern California are recognized worldwide for their exquisite appearance, range of technique, fineness of weave, and diversity of form and use. While women mostly made baskets for cooking, storing food, and religious ceremonies, Pomo men also made baskets for fishing weirs, bird traps, and baby baskets.
However, a market for genuine, traditional baskets opened the 1880s and lasted until the 1930s. [9] William and Mary Benson took advantage of this commercial opportunity. While Pomo men did not traditionally make the kind of fine baskets demanded by the market, William adapted his skill to the fine work done by women. [9]
Fully feathered baskets were very personal items, often given as a gift and destroyed at the death of the owner. [4] This ritual destruction contributed to the rarity of the baskets. Additionally, some tribes were subjected to the Spanish Mission process which destroyed much of their culture, including the basketry. [ 8 ]
Mabel McKay (1907–1993) was a member of the Long Valley Cache Creek Pomo Indians and was of Patwin descent. She was the last dreamer of the Pomo people and was renowned for her basket weaving. She sat on California's first Native American Heritage Commission. [1]
Annie Burke, the mother of one of the most celebrated Pomo basket weavers, Elsie Allen, was a Cloverdale Pomo and Elsie spent part of her childhood living on the Cloverdale Rancheria. [2] Russian fur traders were the first non-Indians to settle in Pomo land in the late 18th century. They established Fort Ross in 1812 and hunted sea otter. [1]
She is the granddaughter of Pomo basket weaver Susan Santiago Billy. [2] She grew up outside of Washington D.C. in Virginia, where her father worked for the Veterans Administration. In 1973, Billy moved to California and soon after located to Ukiah, California, where she studied Pomo basket weaving under her great aunt Elsie Allen for 15 years. [3]
Elsie Comanche Allen (September 22, 1899 – December 31, 1990) was a Native American Pomo basket weaver from the Cloverdale Rancheria of Pomo Indians of California in Northern California, significant as for historically categorizing and teaching Californian Indian basket patterns and techniques and sustaining traditional Pomo basketry as an art form.
Susan Santiago Billy (born Andrea Susan Santiago; October 5, 1884 – November 20, 1968) was a Native American Pomo basket weaver from the Hopland Band Pomo Indians of California in Northern California. Her parents were Silva Santiago and Tudy Marie Arnold. [1] In 1900, she married Cruz Billy, a leader at the Hopland Rancheria. [1]
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