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Scout at Ship's Wheel, 1913. Norman Rockwell was born on February 3, 1894, in New York City, to Jarvis Waring Rockwell and Anne Mary "Nancy" (née Hill) Rockwell [13] [14] [15] His father was a Presbyterian and his mother was an Episcopalian; [16] two years after their engagement, he converted to the Episcopal faith. [17]
The Problem We All Live With is a 1964 painting by Norman Rockwell that is considered an iconic image of the Civil Rights Movement in the United States. [2] It depicts Ruby Bridges, a six-year-old African-American girl, on her way to William Frantz Elementary School, an all-white public school, on November 14, 1960, during the New Orleans school desegregation crisis.
We, Too, Have a Job to Do is a painting by American illustrator Norman Rockwell that depicts a Boy Scout in full uniform standing in front of a waving American flag. It was originally created by Rockwell in 1942 for the 1944 Brown & Bigelow Boy Scout Calendar . [ 1 ]
The Dugout (Bottom of the Ninth) is a 1948 painting by American artist Norman Rockwell, painted for the September 4, 1948, cover of The Saturday Evening Post magazine. The painting depicts the Chicago Cubs bench dejected during a game against the Boston Braves at Braves Field.
Tough Call – also known as Game Called Because of Rain, Bottom of the Sixth, or The Three Umpires – is a 1948 painting by American artist Norman Rockwell, painted for the April 23, 1949, cover of The Saturday Evening Post magazine. [1]
Breaking Home Ties is a painting by American illustrator Norman Rockwell, created for the September 25, 1954, cover of The Saturday Evening Post.The picture represents a father and son waiting for a train that will take the young man to the state university.
Color halftone reproduction of painting by American painter and illustrator Norman Rockwell (1894-1978), used as cover illustration for "Leslie's illustrated weekly newspaper", vol. 124, no. 3201, 11 January 1917.
The Rookie or The Rookie (Red Sox Locker Room) is a 1957 painting by American artist Norman Rockwell, painted for the March 2, 1957, cover of The Saturday Evening Post magazine. [ 1 ] The painting depicts several Boston Red Sox baseball players in a locker room, joined by an apparent new player who is dressed in street clothes and carrying a ...