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The Piano Concerto No. 5 in E-flat major, Op. 73, known as the Emperor Concerto in English-speaking countries, is a piano concerto composed by Ludwig van Beethoven.Beethoven composed the concerto in 1809 under salary in Vienna, and he dedicated it to Archduke Rudolf, who was his patron, friend, and pupil.
Piano Concerto No. 5 in E-flat major may refer to: Piano Concerto No. 5 ("Emperor") (Beethoven) Piano Concerto No. 5
Piano Concerto No. 5 refers to the fifth piano concerto written by one of a number of composers: Piano Concerto No. 5 (Bach) in F minor, Piano Concerto No. 5 (Beethoven) in E-flat major, Emperor; Piano Concerto No. 5 (Field) in C major, L'incendie par l'orage; Piano Concerto No. 5 (Herz) in F minor; Piano Concerto No. 5 (Litolff) in C minor
Piano Concerto No. 5 (Beethoven) in E-flat major, Emperor; Piano Concerto No. 5 (Field) in C major, L'incendie par l'orage; Piano Concerto No. 5 (Herz) in F minor; Piano Concerto No. 5 (Litolff) in C minor; Piano Concerto No. 5 (Moscheles) in C major; Piano Concerto No. 5 (Mozart) in D major; Piano Concerto No. 5 (Prokofiev) in G major; Piano ...
A similar procedure can be found in Beethoven's piano concerto Op. 19 in the same key. In the last movement, the A section returns in G major rather than B ♭ and modulates back to B ♭ via the same chord progression as in this quartet. Also, the main themes of the movements share the same initial pulse (short note on the first beat followed ...
The variations have been called "Beethoven’s most overt pianistic homage to the Baroque." [2] The variations differ in character, technical difficulty and dynamics. Pianist Yue Chu points out that the key of C minor indicates that "Beethoven was serious when composing this work," despite his apparent misgivings later. [3]
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Beethoven spent a great deal of time on the concerto in estimated late 1814 and early 1815. [1] He made about seventy pages of sketches for the first movement, and even started writing out a full score (MS Artaria 184 in the Staatsbibliothek zu Berlin), which runs almost uninterrupted from the beginning of the movement to the middle of the solo exposition (bar 182), although the scoring ...
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