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The idea of life imitating art is a philosophical position or observation about how real behaviors or real events sometimes (or even commonly) resemble, or feel inspired by, works of fiction and art. This can include how people act in such a way as to imitate fictional portrayals or concepts, or how they embody or bring to life certain artistic ...
Art never expresses anything but itself. All bad art comes from returning to Life and Nature, and elevating them into ideals. Life imitates Art far more than Art imitates Life. It follows as a corollary that external Nature also imitates Art. Lying, the telling of beautiful untrue things, is the proper aim of Art.
Mimesis (/ m ɪ ˈ m iː s ɪ s, m aɪ-/; [1] Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, nonsensuous [clarification needed] similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.
27. “What is the essence of life? To serve others and to do good.” 28. “To write well, express yourself like the common people, but think like a wise man.”
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The idea of art being an imitation was present during the Renaissance when Vasari had said, "painting is just the imitation of all the living things of nature with their colours and designs just as they are in nature." [4] However, Plato's theories on this topic further explored the idea that art imitates the objects and events of ordinary life ...
Plato has regarded imitation as a general principle of art, as he viewed art itself as an imitation of life. This theory was popular and well accepted during the classical period. [ 2 ] During the Renaissance period, imitation was seen as a means of obtaining one's personal style; this was alluded to by the artists of that era like Cennino ...
Aristotle deemed mimesis as natural to man, therefore considered representations as necessary for people's learning and being in the world. [4] Plato, in contrast, looked upon representation with more caution. He recognised that literature is a representation of life, yet also believed that representations intervene between the viewer and the real.