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Tattoo arts are common in the Eastern Polynesian homeland of the Māori people, and the traditional implements and methods employed were similar to those used in other parts of Polynesia. [3] In pre-European Māori culture, many if not most high-ranking persons received moko.
Rapa Nui tattoo tools, Manchester Museum. Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo ...
Pages in category "Polynesian tattooing" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. M. Malu;
A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
The tattoos of the Rapa Nui people were a subject of research by European colonisers, and Viriamo's body art was recorded by several people. It is likely that she is the 'chefess' recorded by Julien Viaud in his writings. Her back tattoos match those sketched by J. Linton Palmer in 1853; though she would have been older than he depicted at the ...
However, there was a movement to revive the practice as a symbol of female empowerment and of their Ryukyuan cultural heritage. [4] Some people, concerned about the professional ramifications of permanent tattoos on their hands, turned to temporary Hajichi made using fruit-based inks. However, some traditionalists object to these practices. [4]
Moko facial tattoos were traditional in Māori culture until about the mid-19th century, when their use began to disappear. There has been something of a revival from the late 20th century. In pre-European Māori culture, they denoted high social status. Generally only men had full facial moko. High-ranked women often had moko on their lips and ...
Along with Viriamo, Ana Eva Hei was among the last surviving women from Rapa Nui to receive traditional facial tattoos. [2] Her tattoos were described by Alfred Métraux, who undertook a research expedition to her home from 1934 to 1935. He stated that her tattoos included: "two parallel stripes crossing her forehead from one ear to the other ...