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The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous piece. [1] [2]
Cover page of Chopin's Nocturnes Op. 48 Frédéric Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. [ 1 ]
A second example of rubato used at a singing moment is in his Second Piano Concerto. In a similar situation, the melody leaps up to three A-flat played consecutively and the rubato marked tells the player to perform them in a singing quality. F. Chopin, Nocturne Op. 9 No. 2, Sämtliche Pianoforte-Werke, Band I, C.F.Peters, 1905, image form imslp.
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
Title page of Vol. XII of the 19th-century complete edition of Chopin's works: the volume contains Chopin's compositions for piano and orchestra. Frédéric Chopin's compositions for piano and orchestra originated from the late 1820s to the early 1830s, and comprise three concert pieces he composed 1827–1828, while a student at the Central ...
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