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Mythologies is divided into two parts: Mythologies and Myth Today, with the first section consisting of a collection of short essays on selected modern myths, and the second section offering an extended analysis of the concept. Each of the "mythologies" describes a modern cultural phenomena, ranging from "Einstein's Brain" to "Soap Powders and ...
The Historical Atlas of World Mythology is a multi-volume series of books by Joseph Campbell that traces developments in humankind's mythological symbols and stories from pre-history forward. Campbell is perhaps best known as a comparativist who focused on universal themes and motifs in human culture.
The Oxford Companion to World Mythology provides the following summary and examples: [7] [8] Religious stories are "holy scripture" to believers—narratives used to support, explain, or justify a particular system's rituals, theology, and ethics—and are myths to people of other cultures or belief systems.
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Many myths mention an "End of the world (civilization)" event, wherein a final battle between good and evil takes place to create a new world, and/or a total cataclysmic event will usher an end to humanity (see Extinction event, aka ELE). Ragnarök shows the end of the world in Norse mythology.
Mythology by Edith Hamilton (1942) Myths of the Ancient Greeks by Richard P. Martin (2003) The Penguin Book of Classical Myths by Jenny March (2008) The Gods of the Greeks by Károly Kerényi (1951) The Heroes of the Greeks by Károly Kerényi (1959) A Handbook of Greek Mythology by H. J. Rose (1928) The Complete World of Greek Mythology by ...
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, images, and character types in literary works.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.