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Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
He paints, not nature according to Mr. Church, but simply nature. His eye, like every other man's, is a camera with a brain behind it; but his brain gives him the power to transfer to canvas the vanishing forms and tints and shadows thrown upon his eye, unaffected by the medium through which they have passed, except by selection, combination ...
Cleveland Museum of Art, Ohio The Icebergs: 1861: Oil on canvas: 163.83 × 285.75 cm: Dallas Museum of Art, Texas Our Banner in the Sky: 1861: Oil on paper: 7.5 in × 11.25 in (191 mm × 286 mm) Private collection Oosisoak: c. 1861: Oil on canvas: 23 in × 17 in (580 mm × 430 mm) Private collection [13] Cotopaxi (painting) 1862: Oil on canvas
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...
Philadelphia Museum of Art, 36.2 in (92 cm) x 48.5 in (123.1 cm) Cleveland Museum of Art, 92 cm (36.2 in) x 123 cm (48.4 in). The Burning of the Houses of Lords and Commons, 16th October, 1834 is the title of two oil on canvas paintings by J. M. W. Turner, depicting different views of the fire that broke out at the Houses of Parliament on the evening of 16 October 1834.
If you want to take a closer look at nature's wonders, you've come to the right place!Ian Granström, a photographer from Southern Finland, captures intimate wildlife images of foxes, birds, elk ...
Nature in the Era of Manifest Destiny was prophecy, and Church as the "interpreter" of Niagara was therefore painting as American prophet. Niagara is the American's mythical Deluge which washes away the memory of an Old World so that man may live at home in a New World. The painting is an icon of psychic natural purgation and rebirth.
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