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The Third Reich Trilogy is a series of three narrative history books by British historian Richard J. Evans, covering the rise and collapse of Nazi Germany in detail, with a focus on the internal politics and the decision-making process. [1]
Weimar Classicism (German: Weimarer Klassik) was a German literary and cultural movement, whose practitioners established a new humanism from the synthesis of ideas from Romanticism, Classicism, and the Age of Enlightenment. It was named after the city of Weimar, Germany, because the leading authors of Weimar Classicism lived there. [1]
This is a list of books about Nazi Germany, the state that existed in Germany during the period from 1933 to 1945, ... Hitler and the Collapse of Weimar Germany ...
The Rise and Fall of the Third Reich is Shirer's comprehensive historical interpretation of the Nazi era, positing that German history logically proceeded from Martin Luther to Adolf Hitler; [3] [a] [page needed] and that Hitler's accession to power was an expression of German national character, not of totalitarianism as an ideology that was internationally fashionable in the 1930s.
Anna Amalia, Duchess of Saxe-Weimar-Eisenach, had the building converted into a library in 1761, [9] and in 1766 arranged for the courtly (hoefische) book collection to be moved into the library. [8] The Duchess, seeking a tutor for her son Duke Carl August , hired Christoph Martin Wieland , an important poet and noted translator of William ...
The events depicted in The Berlin Stories are derived from Isherwood's colorful escapades in the Weimar Republic. [7] [8] In 1929, Isherwood moved to Weimar Berlin during the twilight of the Golden Twenties. At the time, Isherwood was an apprentice novelist who was politically indifferent [a] about the rise of fascism in Germany.
Under Weimar, political infighting made it impossible to present a united front against rising authoritarianism. Today, the center right and center left are unified in their efforts to prevent ...
At least in Weimar Berlin, Keun met with much literary success, as an April 1933 article in the Leipzig weekly Das Leben attested. [3] In one monthly, Der Querschnitt, a July 1932 publisher's advertisement for the book quotes Kurt Tucholsky as saying that Keun was the first female German humorist (‘was es noch niemals gegeben hat: eine deutsche Humoristin’), whilst Hanns Martin Elster ...
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