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19th-century German philosopher Karl Marx, the founder and primary theorist of Marxism, viewed religion as "the soul of soulless conditions" or the "opium of the people". According to Marx, religion in this world of exploitation is an expression of distress and at the same time it is also a protest against the real distress.
Marxist cultural analysis is a form of cultural analysis and anti-capitalist cultural critique, which assumes the theory of cultural hegemony and from this specifically targets those aspects of culture that are profit driven and mass-produced under capitalism.
The first section weighed the specific criticisms that categorise Marxism and Bolshevism in particular as "amoral" due to their perceived adherence to the praxis that the "end justifies the means". Trotsky argued that moral criteria are firmly rooted in their material context rather than "eternal moral truths" based on religious revelation or a ...
The opium of the people or opium of the masses (German: Opium des Volkes) is a dictum used in reference to religion, derived from a frequently paraphrased partial statement of German revolutionary and critic of political economy Karl Marx: "Religion is the opium of the people." In context, the statement is part of Marx's analysis that religion ...
Marxist views strongly influenced individuals' comprehension and conclusions about society, among others the anthropological school of cultural materialism. Marx' explanations for all religions, always, in all forms, and everywhere have never been taken seriously by many experts in the field, though a substantial fraction accept that Marx ...
Marxism – method of socioeconomic analysis that analyzes class relations and societal conflict using a materialist interpretation of historical development and a dialectical view of social transformation. It originates from some of the work of or all of the work of the mid-to-late 19th century works of German philosophers Karl Marx and ...
Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx.It involves a dialectical and materialist, or dialectical materialist, approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth.
In this regard, Western Marxists view the theoretical contributions of Friedrich Engels's Anti-Dühring as a distortion of Marx. [23] While Engels sees dialectics as a universal and scientific law of nature, Western Marxists do not view Marxism as a general science, but as a theory of the cultural and historical structure of society. [12]