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American landscape painter of the Hudson River School. He painted idyllic landscape paintings of an early American wilderness and the scenic vistas of the White Mountains in New Hampshire. He exhibited at the National Academy from 1839 to 1873 and at the American Art-Union in 1847. He was deeply influenced by the dramatic work of Thomas Cole ...
The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism. Early on, the paintings typically depicted the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and White Mountains.
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
Frederic Edwin Church (May 4, 1826 – April 7, 1900) was an American landscape painter born in Hartford, Connecticut.He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets.
Lunar Landscape (1943–44), now at Crystal Bridges Museum of American Art [54] [55] Coffee Table (1944), an iconic item of Mid-century Modern furniture [ 56 ] Texas Sculpture (1960–1961), First National Bank of Fort Worth Plaza, Fort Worth, Texas [ 57 ]
Fountains built in the United States between 1900 and 1950 mostly followed European models and classical styles. For example: The handsome Samuel Francis Dupont Memorial Fountain (aka Dupont Circle Fountain), in Dupont Circle, Washington D.C., was designed and created by Henry Bacon and Daniel Chester French, the architect and sculptor of the Lincoln Memorial, in 1921, in a pure neoclassical ...
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