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The contrabassoon reed is similar to an average bassoon's in that scraping the reed affects both the intonation and response of the instrument. [ 1 ] Contrabassoons feature a slightly simplified version of bassoon keywork, though all open toneholes on bassoon have necessarily been replaced with keys and pads due to the physical distances.
Contrabass (from Italian: contrabbasso) refers to several musical instruments of very low pitch—generally one octave below bass register instruments. While the term most commonly refers to the double bass (which is the bass instrument in the orchestral string family, tuned lower than the cello), many other instruments in the contrabass register exist.
These bassoons are made with a "Wagner bell" which is an extended bell with a key for both the low A and the low B-flat, but they are not widespread; bassoons with Wagner bells suffer similar intonational problems as a bassoon with an ordinary A extension, and a bassoon must be constructed specifically to accommodate one, making the extension ...
For example, Mahler in his Symphony No. 8 (1910) employs 2 piccolos, 4 flutes, 4 oboes, cor anglais, 2 E-flat clarinets, 3 B-flat clarinets, bass clarinet, 4 bassoons, and contrabassoon. [1] After World War I , the number of instruments was often reduced, approaching the size of a chamber orchestra , with individual instrument combinations ...
In some pop and rock groups, the bassist may be asked to play other instruments from time to time, such as electric bass, keyboards or acoustic guitar. The ability to play electric bass is widely expected in country groups, in case the band is performing a classic rock or new country song. A German double bass section in 1952.
The semi-contrabassoon (also called quint bassoon, semi-contra or half-contra) is a double reed woodwind instrument pitched between the bassoon and the contrabassoon.It is pitched in either F (quint bass) or G (quart bass) a fifth or fourth, respectively, below the bassoon.
The criteria for classifying musical instruments vary depending on the point of view, time, and place. The many various approaches examine aspects such as the physical properties of the instrument (shape, construction, material composition, physical state, etc.), the manner in which the instrument is played (plucked, bowed, etc.), the means by which the instrument produces sound, the quality ...
The mechanism is that the sounding board of the instrument provides a larger surface area to create sound waves than that of the string and therefore acts as a matching element between the acoustic impedance of the string and that of the surrounding air. A larger vibrating surface can sometimes produce better matching; especially at lower ...
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