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A post-WWII Polish communist propaganda poster showing a giant soldier of the communist Armia Ludowa armed resistance organization striding over a little soldier of the Armia Krajowa (anti-Nazi military organization in reality much larger the "Armia Ludowa," but loyal to the non-communist Polish government-in-exile), stating: "The Giant and the drooling reactionary dwarf."
For the purpose of the anti-Bolshevik propaganda during the war Polish artists created posters. Some of the authors were Felicjan Kowarski, Władysław Skoczylas, Edmund Bartłomiejczyk, Kajetan Stefanowicz, Władysław Jarocki, Zygmunt Kamiński, Edmund John, Kamil Mackiewicz, Stanisław Stawiczewski, Witold Gordon and Aleksander Grzybowski ...
The Polish School of Posters was an approach to poster design which started during the post-World War II period in Poland from the 1950s continuing through the 1980s.In its early years, the Polish People's Republic (PRL, 1947–1989) was in a phase of rebuilding its cultural institutions.
Pages in category "Propaganda in the Polish People's Republic" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. ...
In his 2007 book Heroes and Villains, in the context of bitter Polish-Ukrainian relations concerning the mutual massacres during World War II, David R. Marples asserted that (at the time of the writing of the book) there were "no Ukrainian organizations and press organs that specialize in anti-Polish propaganda". [183]
Postwar Polish communist propaganda poster depicting "The giant and the putrid reactionary midget", meaning the communist People's Army soldier and the pro-Western Home Army soldier, respectively. The Yalta agreement stipulated a governmental union in Poland of "all democratic and anti-Nazi elements".
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