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Rex Brasher (July 31, 1869 [1] – February 29, 1960) was an American watercolor painter and ornithologist in the vein of John James Audubon and Louis Agassiz Fuertes.Brasher's 875 surviving paintings depicted 1,200 species and sub-species of North American birds in accurate detail, representing all the species and sub-species identified in the American Ornithologists’ Union’s Checklist of ...
Twittering Machine (Die Zwitscher-Maschine) is a 1922 watercolor with gouache, pen-and-ink, and oil transfer on paper by Swiss-German painter Paul Klee.Like other artworks by Klee, it blends biology and machinery, depicting a loosely sketched group of birds on a wire or branch connected to a hand-crank.
An artist working on a watercolor using a round brush Love's Messenger, an 1885 watercolor and tempera by Marie Spartali Stillman. Watercolor (American English) or watercolour (British English; see spelling differences), also aquarelle (French:; from Italian diminutive of Latin aqua 'water'), [1] is a painting method [2] in which the paints are made of pigments suspended in a water-based [3 ...
Pomological Watercolor Collection; Palo Duro Canyon paintings of O'Keeffe; A Panoramic View of London, from the Tower of St. Margaret's Church, Westminster; The Paying-out Machinery in the Stern of the Great Eastern; Peatery in Drenthe; Pity (William Blake) Pornocrates; Portrait of a Young Man (Iravani) Portrait of Saint Bartley Harris
Louis Agassiz Fuertes (February 7, 1874 – August 22, 1927) was an American ornithologist, illustrator and artist who set the rigorous and current-day standards for ornithological art and naturalist depiction and is considered one of the most prolific American bird artists, second only to his guiding professional predecessor John James Audubon.
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These pictures were authenticated in the Levis Bluffs area by George Dickson and William Turk in 1905. [4] According to the article, four of these paintings were of "an owl, a sun circle, a squirrel, and a piece showing two birds or some kind of animals in a contest", the other three paintings were of "a great animal, perhaps a lion, and ...
About 1820, around the age of 35, Audubon declared his intention to paint every bird in North America. [12] [10] In his bird art, he mainly forsook oil paint, the medium of serious artists of the day, in favour of watercolours and pastel crayons (and occasionally pencil, charcoal, chalk, gouache, and pen and ink). As early as 1807, he developed ...
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