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Marilyn Monroe wore a shocking pink dress in the 1953 film Gentlemen Prefer Blondes, directed by Howard Hawks. [1] The dress was created by costume designer William "Billy" Travilla and was used in one of the most famous scenes of the film, which subsequently became the subject of numerous imitations, significantly from Madonna in the music video for her 1985 song "Material Girl".
Butterflies. Butterfly/ butterflies. A common motif used in Chinese embroidery and in Chinaware. [ 12] The butterfly is a symbol of joy and summer. [ 12] It also implies long life, beauty and elegance. [ 6] Pair of butterflies. Pair of butterflies embroidered on clothing strengthens the energy of love.
The Cavalry Stetson is a cavalry traditional headgear within the United States Army, typical worn by cavalrymen in the late 1860s, named after its creator John B. Stetson . In the modern U.S. Army, the Stetson was revived as an unofficial headgear for the sake of esprit de corps in the cavalry. Because they are not authorized by AR 670–1, the ...
The 16-ft-tall pigeon is made of aluminum and will be on display at the plinth at the Tenth Avenue and 30th Street intersection. - Courtesy the artist/The High Line. Like many New Yorkers, pigeons ...
The pure essence of purple was approximated in pigment in the late 1960s by mixing fluorescent magenta and fluorescent blue pigments together to make fluorescent purple to use in psychedelic black light paintings. This tone of purple was very popular among hippies and was the favorite color of Jimi Hendrix. Thus it is called psychedelic purple ...
Donna Berwick, a costume designer who worked on films including Spike Lee’s “Da 5 Bloods,” “Donnie Darko” and more died, July 14 of breast cancer. She was 66. Berwick was nominated for ...
December 6: The Color Purple Premiere. At the premiere of The Color Purple in Los Angeles, Oprah wore a vibrant, body-skimming gown by Dolce & Gabanna, a sparkly purple clutch, and matching heels ...
Flaming June. Flaming June is a painting by Sir Frederic Leighton, produced in 1895. Painted with oil paints on a 47-by-47-inch (1,200 mm × 1,200 mm) square canvas, it depicts a sleeping woman in a sensuous version of his classicist Academic style. It is Leighton's most recognisable work, and is much reproduced in posters and other media.