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Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [ 1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
A text created from lines of a newspaper tourism article. The cut-up technique (or découpé in French) is an aleatory narrative technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by ...
Elizabeth's origin is changed from Victor's cousin to being an orphan. Victor is portrayed more sympathetically in the original text. In the 1831 edition however, Shelley is critical of his decisions and actions. Shelley removed many references to scientific ideas which were popular around the time she wrote the 1818 edition of the book.
Sartor Resartus: The Life and Opinions of Herr Teufelsdröckh in Three Books is an 1831 novel by the Scottish essayist, historian and philosopher Thomas Carlyle, first published as a serial in Fraser's Magazine in November 1833 – August 1834. The novel purports to be a commentary on the thought and early life of a German philosopher called ...
Collage. Collage ( / kəˈlɑːʒ /, from the French: coller, "to glue" or "to stick together"; [ 1]) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.)
Thomas Hope (30 August 1769 – 2 February 1831) was a Dutch-British interior and Regency designer, traveler, author, philosopher, art collector, and partner in the banking firm Hope & Co. He is best known as an early promoter of Greek Revival architecture , opening his house as a museum and his novel Anastasius , a work which many experts ...
A family viewing animations in a mirror through the slits of stroboscopic discs (detail of an illustration by E. Schule on the box label for Magic Disk - Disques Magiques, c. 1833) The phenakistiscope (also known by the spellings phénakisticope or phenakistoscope) was the first widespread animation device that created a fluid illusion of motion.
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