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Barro negro pottery ("black clay") is a style of pottery from Oaxaca, Mexico, distinguished by its color, sheen and unique designs. Oaxaca is one of few Mexican states which is characterized by the continuance of its ancestral crafts, which are still used in everyday life. [1] Barro negro is one of several pottery traditions in the state, which ...
Pueblo pottery are ceramic objects made by the Indigenous Pueblo people and their antecedents, the Ancestral Puebloans and Mogollon cultures in the Southwestern United States and Northern Mexico. [1] For centuries, pottery has been central to pueblo life as a feature of ceremonial and utilitarian usage.
Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. [1] Pottery is fired ceramics with clay as a component. Ceramics are used for utilitarian cooking vessels, serving and storage vessels, pipes, funerary urns, censers, musical instruments, ceremonial items, masks, toys, sculptures ...
In art, pottery, applied art, craft, construction and architecture, "terracotta" is a term often used for red-coloured earthenware sculptures or functional articles such as flower pots, water and waste water pipes, tableware, roofing tiles and surface embellishment on buildings. In such applications, the material is also called terracotta. [7]
A relatively new tradition in ceramics is called "folk art". These pieces are mostly decorative, such as figures, tiles; and fine wares such as casseroles, teacups, and dishes. These are produced for the Mexican upper class, the international market, and to some extent, tourists.
Mississippian culture pottery. Mississippian culture pottery is the ceramic tradition of the Mississippian culture (800 to 1600 CE) found as artifacts in archaeological sites in the American Midwest and Southeast. It is often characterized by the adoption and use of riverine (or more rarely marine) shell- tempering agents in the clay paste. [ 1]
The best known Huichol art is made with modern, commercially produced items such as yarn and small beads. The Tepehuánes of Durango adapted the yarn paintings. These have replaced many of the traditional materials such as clay, stone and vegetable dyes. [ 1] Making and decorating items with beads did not begin with importation of European ...
Atzompa’s pottery history extends to the 7th to 9th century, when the town was established as a satellite to the large Monte Albán Zapotec city. Pottery from this period is of the barro negro type found in other communities of the area, but artifacts from this era show more diverse shapes, including jaguar heads. [2]
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