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A modern sans-serif and four blackletter typefaces (left to right): Textur (a), Rotunda, Schwabacher and Fraktur. Fraktur (German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. It is designed such that the beginnings and ends of the individual strokes that ...
The styles of calligraphy that are used in copybooks include the regular script (楷书; 楷書), the cursive script (草书; 草書), the running script (行书; 行書), the clerical script (隶书; 隸書), and the seal script (篆书; 篆書). Most calligraphy is for brushes, but there is also hard calligraphy, using ballpoint pens, pencils ...
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
Lucida (pronunciation: / ˈ l uː s ɪ d ə / [2]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).
Samples of Calligraphic Script typefaces Typeface name Example 1 Example 2 Example 3 American Scribe: AMS Euler Designer: Hermann Zapf, Donald Knuth Apple Chancery Designer: Kris Holmes
Zapfino is a calligraphic typeface designed for Linotype by typeface designer Hermann Zapf in 1998. It is based on an alphabet Zapf originally penned in 1944. As a font, it makes extensive use of ligatures and character variations (for example, the lower case letter d has nine variations).
Carolingian minuscule alphabet Example from 10th-century manuscript, Vulgate Luke 1:5–8.. Carolingian minuscule or Caroline minuscule is a script which developed as a calligraphic standard in the medieval European period so that the Latin alphabet of Jerome's Vulgate Bible could be easily recognized by the literate class from one region to another.
Islamic calligraphy is associated with geometric Islamic art (Arabesque) on the walls and ceilings of mosques as well as on the page or other materials. Contemporary artists in the Islamic world may draw on the heritage of calligraphy to create modern calligraphic inscriptions, like corporate logos, or abstractions.
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