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Century Gothic and Levenim MT have minor differences in spacing and punctuation marks. Levenim MT is a version of Century Gothic that includes Hebrew alphabet and is available for free on most versions of Windows. [13] Levenim MT has two weights, namely Regular and Bold. Unlike Century Gothic, Levenim MT does not have true italics.
Century Schoolbook Bold (1923) Globe Gothic (c. 1900), a refinement of Taylor Gothic, designed by ATF vice-president Joseph W. Phinney in 1897 for Charles H. Taylor for the exclusive use of the Boston Globe. [1] Globe Gothic Condensed + Extra Condensed + Extended (c. 1900) Globe Gothic Bold (1907), credited to Benton, though Frederic Goudy ...
Century is a family of serif type faces particularly intended for body text. The family originates from a first design, Century Roman, cut by American Type Founders designer Linn Boyd Benton in 1894 for master printer Theodore Low De Vinne, for use in The Century Magazine. [1] ATF rapidly expanded it into a very large family, first by Linn Boyd ...
ATF Designs. These foundry types were designed and produced by American Type Founders: Abbott Oldstyle (1901, Phinney) Adonic (1930, Willard T. Sniffin) Adscript (1914, Benton) Ad Lib (1961, Freeman Craw) Agency Gothic (1933, Benton), later digitized as Agency FB by Font Bureau. Agency Gothic Open (1934, Benton)
Franklin Gothic. Franklin Gothic and its related faces are a large family of sans-serif typefaces in the industrial or grotesque style developed in the early years of the 20th century by the type foundry American Type Founders (ATF) and credited to its head designer Morris Fuller Benton. [1] ". Gothic" was a contemporary term (now little-used ...
Samples of sans-serif typefaces Typeface name Example 1 Example 2 Example 3 Agency FB Designer: Caleigh Huber & Morris Fuller Benton Class: Geometric Akzidenz-Grotesk Designer: Günter Gerhard Lange
ITC Avant Garde. ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.
Sol Hess. Sol Hess (born 1886, Philadelphia, PA – d. 1953) was an American typeface designer. After a three-year scholarship course at Pennsylvania Museum School of Industrial Design, he began at Lanston Monotype in 1902, rising to typographic manager in 1922. He was a close friend and collaborator with Monotype art director Frederic Goudy ...