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Siddhantakaumudi (Siddhānta Kaumudī) is a book by Bhaṭṭoji Dīkṣita on Sanskrit grammar. Its full name Vaiyakaranasiddhantakaumudi. Bhattoji Dixit composed Siddhanta Kaumudi on the basis of Prakriyakaumudi. He himself wrote Praudha Manorama Tika on this book. [1][2] Bhattoji dikshita's disciple Varadarāja also became a great scholar of ...
Svapnavasavadattam is a sequel to the Bhāsa's another play Pratijnayaugandharayana (The Pledge of Minister Yaugandharayana) which describes in four acts the events culminating in the marriage of Udayana and Vasavadatta which was brought about by the efforts of Yaugandharayana, Udayana's minister.
The Kavyadarsha was in ancient times translated into Kannada, Sinhala, Pali, Tamil and Tibetan, and perhaps even influenced Chinese regulated verse.It was widely quoted by premodern scholars of Sanskrit, including Appayya Dīkṣita (1520–1592); it was included almost in its entirety in the poetic treatises by King Bhoja of Dhār (r. 1011–1055).
Arthashastra Books 2.10, 6-7, 10 A notable structure of the treatise is that while all chapters are primarily prose, each transitions into a poetic verse towards its end, as a marker, a style that is found in many ancient Hindu Sanskrit texts where the changing poetic meter or style of writing is used as a syntax code to silently signal that the chapter or section is ending. All 150 chapters ...
Sanskrit literature is a broad term for all literature composed in Sanskrit.This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit.
The above names are composed of the first verbal root in each class followed by ādayaḥ "etc.; and next" – bhv-ādayaḥ thus means "the class starting with bhū". The small number of class 8 verbs are a secondary group derived from class 5 roots, and class 10 is a special case, in that any verb can form class 10 presents, then assuming ...
Ghurye notes that the text identifies Ganesa with the Brahman and is of a very late origin, [7] while Courtright and Thapan date it to the 16th or 17th century. [8] [9] While the Upanishad is a late text, the earliest mention of the word Ganapati is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda. [10]
Mahakavya. Mahākāvya (lit. great kāvya, court epic), also known as sargabandha, is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of scenery, love, battles and so on — in short, everything that tests a poet's skill at description. Typical examples of mahākāvya are the ...