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Loose jiaolingpao with flowing, loose sleeves was a popular style among men from diverse social strata in the Eastern Jin and in the Southern dynasties period; a bixi was sometimes attached to the waist of the paofu. [19]: 56 The baoyi bodai style also appeared on the images of Buddha which dates from the late 5th century AD.
An example of a non-regulation artillery sleeve patch consisting of gold embroidery on black cloth. Such badges were often based on Tsarist insignia, in this case the artillery branch's crossed cannons. Two division commanders and a commissar sitting far left, far right, and centre left respectively (1921).
The kosode (小袖, lit. 'small sleeves') was a type of short-sleeved Japanese garment, and the direct predecessor of the kimono. Though its component parts directly parallel those of the kimono, its proportions differed, typically having a wider body, a longer collar and narrower sleeves. The sleeves of the kosode were typically sewn to the ...
Further, the traditional perahan is wide but fits closer to the body down to the waist and then is loose and full down to the knees [9] (thereby flaring out). The tunban (lower garment) is worn loose and hanging. Some versions of the tunban have the ample folds gathered into plaits at the lower part of the legs, below the knees to the ankles ...
Kurta. A traditional cotton kurta with wooden cuff-links-style buttons, centre placket opening with chikan, a style of embroidery from Lucknow, India. A kurta is a loose collarless shirt or tunic worn in many regions of South Asia, [1][2][3] and now also worn around the world. [4] Tracing its roots to Central Asian nomadic tunics, or upper body ...
Many men also shaved their hair except for a tuft at the top, though intellectuals looked down on this haircut. [23] A typical servant's costume of the 1830s had a white shift, a sedria, a caftan or a djubbeh or both, and a blue shirt as the outermost layer. The sleeves of the white shirt, which were very full, were sometimes tied back with a cord.
Pelisse finally lost any resemblance to their origins in men’s military dress as skirts and sleeves widened in the 1830s, and the increasingly large crinoline skirts of the 1840s and 1850s caused fashionable women to turn to loose mantles, cloaks, and shawls (especially those of Paisley design) instead. The term pelisse did however continue ...
The beizi originated in the Song dynasty; [5] [6] it is assumed that it was derived from the banbi, where the sleeves and the garment lengthened. [9] [10] According to Ye Mende, the beizi was initially worn as a military clothing with "half-sleeves"; the sleeves were later extended and hanging ribbons were added from the armpits and back. [5]
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