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Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
The early Byzantine Empire continued to use the (single-headed) imperial eagle motif. The double-headed eagle appears only in the medieval period, by about the 10th century in Byzantine art, [7] but as an imperial emblem only much later, during the final century of the Palaiologos dynasty. In Western European sources, it appears as a Byzantine ...
Byzantine mosaics. 10th century mosaic of Virgin and Child on a gold ground in the former cathedral Hagia Sophia in Istanbul, Turkey. Byzantine mosaics are mosaics produced from the 4th to 15th [ 1] centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular [ 2] and historically significant art forms ...
The Palaeologan Renaissance or Palaiologan Renaissance is the final period in the development of Byzantine art. Coinciding with the reign of the Palaiologoi, the last dynasty to rule the Byzantine Empire (1261–1453), it was an attempt to restore Byzantine self-confidence and cultural prestige after the empire had endured a long period of ...
The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple ( hue rendering ), the color historically used by Roman and Byzantine emperors. The latter, often also referred to as "Tyrian red", is more reddish in hue, and is in fact often depicted as ...
The star and crescent symbol used in the minted coins of the Sassanian Empire from the 3rd century until the 7th century. This coin was coined under Ardashir III. The Adoration of the Magi by Stephan Lochner; on the left, the crescent and star is depicted in the flag of representatives of Byzantium. The conjoined representation of a crescent ...
The principal achievement of Byzantine theology was the ecclesiastic writings of the holy fathers. The high cultural level of Greek teachers posed difficult tasks for Kievan Rus’. Nevertheless, art of the Rus’ principalities of the tenth century differed from Byzantine prototypes of the same period. The peculiarities of the first Rus' works ...