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Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple ( hue rendering ), the color historically used by Roman and Byzantine emperors. The latter, often also referred to as "Tyrian red", is more reddish in hue, and is in fact often depicted as ...
English: The Byzantine imperial ensign (βασιλικόν φλάμουλον) under the Palaiologos dynasty, as exactly depicted in the Guillem Soler's portolan chart of c. 1380, the portolan chart of Gabriel de Vallseca of 1439 and 1447 and the Catalan Atlas of 1375.
The star and crescent symbol used in the minted coins of the Sassanian Empire from the 3rd century until the 7th century. This coin was coined under Ardashir III. The Adoration of the Magi by Stephan Lochner; on the left, the crescent and star is depicted in the flag of representatives of Byzantium. The conjoined representation of a crescent ...
The Ecumenical Patriarchate and Mount Athos, and also the Greek Orthodox Churches in the diaspora under the Patriarchate use a black double-headed eagle in a yellow field as their flag or emblem. The eagle is depicted as clutching a sword and an orb with a crown above and between its two heads. [1] An earlier variant of the flag, used in the ...
Summary. Description Byzantine imperial flag, 14th century.svg. English: The Byzantine imperial ensign (βασιλικόν φλάμουλον), as depicted in the 14th-century Castilian Book of All Kingdoms, and described in the Treatise on Offices by the mid 14th-century Byzantine writer Pseudo-Kodinos as being hoisted on imperial naval vessels.
Byzantine mosaics went on to influence artists in the Norman Kingdom of Sicily, in the Republic of Venice, and, carried by the spread of Orthodox Christianity, in Bulgaria, Serbia, Romania and Russia. [5] In the modern era, artists across the world have drawn inspiration from their focus on simplicity and symbolism, as well as their beauty. [6]
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