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Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 35.
W.-A. Mozart, sa vie musicale et son œuvre de l'enfance à la pleine maturité (1756–1777): Essai de biographie critique, suivi d'un nouveau catalogue chronologique de l'œuvre complète du maitre. Paris: Perrin et Cie. WSF Gottlieb Muffat: Dunlop, Alison J. (2013). The life and works of Gottlieb Muffat (1690–1770). Vienna: Hollitzer.
Eschatology. George Bradford Caird FBA (17 July 1917 – 21 April 1984), known as G. B. Caird, was a British theologian, biblical scholar and Congregational minister. At the time of his death he was Dean Ireland's Professor of the Exegesis of Holy Scripture at the University of Oxford .
Fernand de La Tombelle: Les sept Paroles de Notre Seigneur Jésus-Christ (1867) 20th century. Charles Tournemire: Sept Chorals-Poèmes pour les sept Paroles du Christ for organ (1935) Knut Nystedt: "Jesu syv ord på korset", Op. 47, oratorio for solo and mixed choir The Seven Words from the Cross (1960).
Land was purchased in Ojai for a "colony project", to serve as a "miniature model of a new civilisation" mentored by the World Teacher. [68] Reflecting the new situation, in June 1927 the name of the organization was changed to Order of the Star and its main organ was retitled The Star Review ; the organization relocated at Ommen, with D ...
The Institute of the Incarnate Word considers its specific end to be the evangelization of the culture, to work "through the power of the Gospel, to transform mankind's criteria of judgment, determining values, points of interest, lines of thought, sources of inspiration, and models of life" (Evangelii Nuntiandi, 19). The constitutions states ...
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63 cm × 103.5 cm (25 in × 40.7 in) Location. National Gallery, London. Christ in the House of Martha and Mary is an oil-on-canvas painting from Spanish artist Diego Velázquez, dating to his Seville period. Housed in the National Gallery, London, United Kingdom, it was painted in 1618, [ 1] shortly after he completed his apprenticeship with ...