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Side Show is a musical by Bill Russell (book and lyrics) and Henry Krieger (music) based on the lives of Daisy and Violet Hilton, conjoined twins who became famous stage performers in the 1930s.
The show was revived on Broadway at the Winter Garden Theatre from November 15, 1981, to January 2, 1982, and was broadcast on HBO a year later, starring Richard Harris as Arthur, Meg Bussert as Guenevere, Muenz as Lancelot and Thor Fields as Tom of Warwick. Harris, who had starred in the film, and Muenz also took the show on tour nationwide.
Tina: The Tina Turner Musical is a jukebox musical featuring the music of Tina Turner and depicting her life from her humble beginnings in Nutbush, Tennessee, to her transformation into a rock 'n roll superstar.
Ticket sales have averaged more than a million dollars per week on Broadway. [36] [37] [38] Following the Tony Awards, the weekly gross jumped to $1,661,000, with sold-out shows and brisk advance sales; it received the biggest box office jump that week on Broadway and recorded a new high for the show's sales. [39]
This is a list of compositions by George Gershwin, a Broadway songwriter and a classical composer. His works are grouped thematically in this list, and in chronological order according to the dates of compositions in the same group.
1776 is a musical with music and lyrics by Sherman Edwards and a book by Peter Stone.The show is based on the events leading up to the signing of the Declaration of Independence, telling a story of the efforts of John Adams to persuade his colleagues to vote for American independence and to sign the document.
This is a synopsis of the current, revised version of the show since the 1994 York Theatre production, not the original one performed on Broadway in 1981. The plot revolves around Frank Shepard, a famous songwriter and eventual film producer ("Overture/Merrily We Roll Along").
The show was conceived by Michael Rubinoff, a Toronto lawyer, theatre producer, and Associate Dean of Visual and Performing Arts at Sheridan College in Oakville. [6] After approaching various writing teams about the project, Rubinoff attracted Irene Sankoff and David Hein, [6] whose work he knew from their 2009 musical My Mother's Lesbian Jewish Wiccan Wedding, which was a hit at the Toronto ...
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