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Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
Edward Weston. Edward Henry Weston (March 24, 1886 – January 1, 1958) was an American photographer. He has been called "one of the most innovative and influential American photographers" [ 1] and "one of the masters of 20th century photography." [ 2] Over the course of his 40-year career Weston photographed an increasingly expansive set of ...
Fine-art photography is photography created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion. This stands in contrast to representational photography, such as photojournalism, which provides a documentary ...
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. [ 2] It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance.
The historical evolution of the nude in art runs parallel to the history of art in general, except for small particularities derived from the different acceptance of nudity by the various societies and cultures that have succeeded each other in the world over time. The nude is an artistic genre that consists of the representation in various ...
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Hermaphrodite. (Nadar) Hermaphrodite is a series of photographs of a young intersex person, who had a male build and stature and may have been assigned female or self-identified as female, taken by the French photographer Nadar (real name Gaspard-Félix Tournachon) in 1860. Possibly commissioned by Armand Trousseau, the nine photographs have ...
The resulting images resembled silhouettes of the human form. In the final stage of his photographic work Drtikol created compositions of little carved figures, with elongated shapes, symbolically expressing various themes from Buddhism. In 1935 he gave up photography and concentrated on painting, Buddhist religious and philosophical systems. [1]