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In some types of gamelan, two gendèrs are used, both spanning approximately two and a half octaves, the gendèr barung and the gendèr panerus, pitched an octave higher than the other. [1] In Gamelan Surakarta, the gendèr panerus plays a single line of melodic pattern, following a pattern similar to the siter. The gendèr barung plays a ...
A typical large, double gamelan in contemporary solo will include, in the sléndro set, one saron panerus (or saron peking), two saron barung, one or two saron demung, one gendér panerus, one gender barung, one slenthem (or "gender panembung"), one bonang panerus and one bonang barung (each with twelve gongs), one gambang kayu, one siter or celempung, one rebab, one suling, one pair of kethuk ...
The gong ageng (large gong) marks the end of each of the largest melodic phrases; these are called gongan, and a piece can have one or several of these. Several other instruments can also be included: the gambang (xylophone), suling (end-blown bamboo flute), and siter (plucked stringed instrument).
The slenthem (also slentem or gender panembung) is an Indonesian metallophone which makes up part of a Javanese gamelan orchestra. The slenthem is part of the gendér family. [ 1 ] It consists of a set of bronze keys comprising a single octave: there are six keys when playing the slendro scale and seven when playing the pelog .
Bonang panerus is the highest of them and uses the smallest kettles. It generally covers two octaves (sometimes more in slendro on Solonese-style instruments), covering approximately the same range as the saron and peking combined. It plays the fastest rhythms of the bonang, either interlocking with or playing at twice the speed of the bonang ...
GONG = gong ageng. [1] Play balungan approximation without colotomy ⓘ First line of ladrang form shown above (bottom) with possible balungan (top) and panerus (middle) elaborations. [2] Play approximation ⓘ The panerusan instruments or elaborating instruments are one of the divisions of instruments used in Indonesian gamelan.
Gamelan gender wayang; Gamelan gong gede; Gamelan gong kebyar; Gamelan gong luang; Gamelan gong saron; Gamelan gong suling; Gamelan jegog; Gamelan joged bumbung; Gamelan pearjaan; Gamelan pelegongan; Gamelan selunding; Gamelan semar pegulingan; Gamelan semarandana; Gamelan trompong beruk; Gamelan tembang girang
Gamelan gender wayang is a style of gamelan music played in Bali, Indonesia. It is required for wayang (shadow puppet theatre) and most sacred Balinese Hindu rituals. The smallest of gamelan ensembles, it requires only two players and is complete at four, the additional instruments doubling an octave above.
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