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Bunraku is particularly noted for lovers' suicide plays. The story of the forty-seven rōnin is also famous in both bunraku and kabuki. Bunraku is an author's theater, as opposed to kabuki, which is a performer's theater. In bunraku, prior to the performance, the chanter holds up the text and bows before it, promising to follow it faithfully ...
Bunraku scene from Date Musume Koi no Higanoko (伊達娘恋緋鹿子) depicting Yaoya Oshichi climbing the tower. Bunraku began in the 16th century. Puppets and bunraku were used in Japanese theatre as early as the Noh plays. Medieval records prove the use of puppets in Noh plays too. The puppets were 3–4 feet (0.91–1.22 m)-tall, and the ...
Chikamatsu Monzaemon (近松 門左衛門, real name Sugimori Nobumori, 杉森 信盛, 1653 – 6 January 1725) was a Japanese dramatist of jōruri, the form of puppet theater that later came to be known as bunraku, and the live-actor drama, kabuki.
The National Bunraku Theatre (国立文楽劇場, Kokuritsu Bunraku Gekijō) is a complex consisting of two halls and an exhibition room, located in Chūō-ku, Osaka, Japan. The complex was opened in 1984 as the fourth national theatre of the country, to become the headquarters of bunraku .
The classic tale is re-imagined in a world that mixes skewed reality with shadow-play fantasy. Its themes draw heavily on samurai and Western films. [2] Bunraku premiered as an official selection of the Midnight Madness section at the 2010 Toronto International Film Festival in Canada, [3] [4] and a limited theatrical release was slated for ...
A theater building, the Tonda Puppet Hall (pictured above right), containing a full stage, as well as rehearsal and meeting spaces, was built for the Troupe in 1991 by the government of Shiga Prefecture. The Tonda Troupe is currently headed by Hidehiko Abe, who traces his ancestry back seven generations to one of the founding members of the troupe.
The convention of wearing black to imply that the wearer is invisible on stage is a central element in bunraku puppet theatre as well. Kuroko will wear white or blue in order to blend in with the background in a scene set, for example, in a snowstorm, or at sea, in which case they are referred to as "Yukigo" (雪衣, snow clad) or "Namigo" (波衣, wave clad) respectively.
The term New Wave was coined after the French Nouvelle vague, a movement which had challenged the traditions of their national cinema in style and content, countering established narratives and genres with "the ambiguous complexities of human relationships" and polished techniques with deliberately rough ones, [5] and introducing the theory that directors should be the auteurs of their films.