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Literary work Author Comments Citations An Alien Heat, The Hollow Lands, and The End Of All Songs - Part 1: Spirits Burning & Michael Moorcock: The Dancers at the End of Time: Michael Moorcock: Three albums covering the three books of the trilogy. The Black Halo: Kamelot: Faust: Johann Wolfgang von Goethe: The Black Halo is a concept album ...
Literary alchemy has been extended to film and television. The alchemical quest is plainly visible to the audience in movies such as The Holy Mountain (1973) [18] and Milton's Secret (2016). The Vanishing (1988) is a less conspicuous example. Based on The Golden Egg, this film features direct alchemical devices such as the appearance of the ...
Porter would frequently return to the list song form, notable examples include "You're the Top" from the 1934 musical Anything Goes, [25] [26] [27] "Friendship", one of Porter's wittiest list songs, from DuBarry Was a Lady, [28]: 483 and "Farming" and "Let's Not Talk About Love" both from Let's Face It!
Dia Dipasupil/Getty Images Before The Tortured Poets Department was ever a glimmer in Taylor Swift’s eye, the singer peppered her music with references to classic literature. As early as 2006 ...
Stream of consciousness is a literary method of representing the flow of a character's thoughts and sense impressions "usually in an unpunctuated or disjointed form of interior monologue." While many sources use the terms stream of consciousness and interior monologue as synonyms, the Oxford Dictionary of Literary Terms suggests that "they can ...
Sparks featured a song titled "Scheherazade" on their 2000 album Balls, from the point of view of the King. The song "One Thousand and One Nights" by J-pop band See-Saw, used as the opening theme song for the second part of the four-part OVA.hack//Liminality ("In the Case of Yuki Aihara"), references The Nights in both the title and the lyrics.
Sense and Sensibility is the original soundtrack of the 1995 film of the same name starring Emma Thompson, Alan Rickman, Hugh Grant, Kate Winslet and Tom Wilkinson.The original score was composed by the Scottish composer Patrick Doyle, a friend of Thompson's who had worked with her on many previous films.
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