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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
When playing the piano or harp, the upper staff is normally played with the right hand and the lower staff with the left hand. In music intended for organ with pedalboard, a grand staff normally comprises three staves, one for each hand on the manuals and one for the feet on the pedalboard. A simple grand staff.
Notation is read from left to right, which makes setting music for right-to-left scripts difficult. The pitch of a note is indicated by the vertical position of the note-head within the staff, and can be modified by accidentals. The duration (note length or note value) is indicated by the form of the note-head or with the addition of a note ...
The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C 0 to B 8 was first built in 2018 by Stuart & Sons. [4] (Note: these piano key numbers 1-108 are not the n keys in the equations or the table.)
Accidental symbols are placed to the right of a note's letter when written in text (e.g. F ♯ is F-sharp, B ♭ is B-flat, and C ♮ is C natural), but are placed to the left of a note's head when drawn on a staff. Systematic alterations to any of the 7 lettered pitch classes are communicated using a key signature. When drawn on a staff ...
Diagram of treble, alto, and bass clefs with identical-sounding musical notes aligned vertically Middle C represented on (from left to right) treble, alto, tenor, and bass clefs Three clefs aligned to middle C. A clef (from French: clef 'key') is a musical symbol used to indicate which notes are represented by the lines and spaces on a musical ...
The faster the player depresses the key, the louder the note. Players must learn to coordinate two hands and use them independently. Most music is written for two hands; typically the right hand plays the melody in the treble range, while the left plays an accompaniment of bass notes and chords in the bass range.
Examples of the latter include the E ♭ (right hand), and F ♯ and G ♯ (left hand) used for the С diminished (С octatonic) scale in Bartók's Crossed Hands (no. 99, vol. 4, Mikrokosmos); the B ♭, E ♭ and F ♯ used for the D Phrygian dominant scale in Frederic Rzewski's God to a Hungry Child; and the E ♭ and D ♭ (right hand) and ...
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