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Especially in its most common occurrence (as a triad in first inversion), the chord is known as the Neapolitan sixth: . The chord is called "Neapolitan" because it is associated with the Neapolitan School, which included Alessandro Scarlatti, Giovanni Battista Pergolesi, Giovanni Paisiello, Domenico Cimarosa, and other important 18th-century composers of Italian opera.
A series of similar-sounding chord changes occurs in "Ondine", the first movement of Maurice Ravel's 1908 piano suite, Gaspard de la nuit. Ravel, Ondine from 'Gaspard de la Nuit', bar 67 Ravel, Ondine from 'Gaspard de la Nuit', bar 67. Other early appearances include the verse to the standard "Till the Clouds Roll By" (1917) by Jerome Kern. [7]
The song's name is an acronym and comes from the lyrics in its chorus, in which a woman is described as "D.I.S.C.O.". In other words, each letter of the word standing for a certain quality, except "O", which simply leads to singing "oh-oh-oh" ("She is D, delirious / She is I, incredible / She is S, superficial / She is C, complicated / She is ...
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard. This demo was originally released on cassette by Elsinor Records.
A music video for the song was produced by Animation City, an animation company in London, England, directed by Derek Hayes. It followed the success of the Madonna video "Dear Jessie", and Elton John's "Club at the End of the Street", by the same company. The video, set in an unnamed city, depicts live-action and animated versions of Stewart ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
"Baby Jane" is a 1983 song by British singer Rod Stewart, written by Stewart and Jay Davis released as the lead single from his twelfth studio album Body Wishes. Produced by Stewart, Tom Dowd , George Cutko and Jim Cregan , it was his most successful single since " Da Ya Think I'm Sexy " in 1978, peaking at No. 1 in the UK (his last number one ...
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]