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A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term Tondichtung (tone poem) appears to have been first used by the composer Carl Loewe in 1828.
This template invokes the <poem> MediaWiki extension in order to render line breaks properly. See also {{ Break lines }} for doing the same without the <poem> MediaWiki extension. Usage
Adds a block quotation. Template parameters [Edit template data] Parameter Description Type Status text text 1 quote The text to quote Content required char char The character being quoted Example Alice Content suggested sign sign 2 cite author The person being quoted Example Lewis Carroll Content suggested title title 3 The title of the poem being quoted Example Jabberwocky Content suggested ...
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
Tapiola (literal English translation: "The Realm of Tapio"), Op. 112, is a tone poem by the Finnish composer Jean Sibelius, written in 1926 on a commission from Walter Damrosch for the New York Symphony Society. Tapiola portrays Tapio, the animating forest spirit mentioned throughout the Kalevala. It was premiered by Damrosch on 26 December 1926.
The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.