Search results
Results from the WOW.Com Content Network
The complete works of Oscar Wilde: vol. 1, Poems and poems in prose, ed. by Bobby Fong and Karl Beckson (Oxford: Oxford University Press, 2000) Mercurio, Jeremiah Romano, "Faithful Infidelity: Charles Ricketts's Illustrations for Two of Oscar Wilde's Poems in Prose", Victorian Network 3:1 (2011), pp. 3–21
Oscar Fingal O'Fflahertie Wills Wilde [a] (16 October 1854 – 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular and influential playwrights in London in the early 1890s. [3]
Charmides was Oscar Wilde's longest [1] and one of his most controversial poems. It was first published in his 1881 collection Poems . The story is original to Wilde, though it takes some hints from Lucian of Samosata and other ancient writers; it tells a tale of transgressive sexual passion in a mythological setting in ancient Greece.
The love that dare not speak its name is a phrase from the last line of the poem "Two Loves" by Lord Alfred Douglas, written in September 1892 and published in the Oxford magazine The Chameleon in December 1894. It was mentioned at Oscar Wilde's gross indecency trial and is usually interpreted as a euphemism for homosexuality. [1]
The Ballad of Reading Gaol is a poem by Oscar Wilde, written in exile in Berneval-le-Grand and Naples, after his release from Reading Gaol (/ r ɛ. d ɪ ŋ. dʒ eɪ l /) on 19 May 1897. Wilde had been incarcerated in Reading after being convicted of gross indecency with other men in 1895 and sentenced to two years' hard labour in prison.
This is a bibliography of works by Oscar Wilde (1854–1900), a late-Victorian Irish writer. Chiefly remembered today as a playwright, especially for The Importance of Being Earnest, and as the author of The Picture of Dorian Gray; Wilde's oeuvre includes criticism, poetry, children's fiction, and a large selection of reviews, lectures and journalism.
A House of Pomegranates is a collection of fairy tales written by Oscar Wilde, published in 1891. It is Wilde's second fairy tale collection, following The Happy Prince and Other Tales (1888). He said of the book that it was "intended neither for the British child nor the British public".
Wilde presents the essay as a Socratic dialogue between two characters, Vivian and Cyril, who are named after his own sons. [1] Their conversation, while playful and whimsical, promotes Wilde's view of Aestheticism over Realism. [2] [3] Vivian tells Cyril of an article he has been writing called "The Decay of Lying: A Protest". According to ...