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The earliest catechisms of Reformed (Calvinist) Christianity, written in the 16th through 18th centuries, including the Heidelberg (1563), Westminster (1647) and Fisher's (1765), included discussions in a question and answer format detailing how the creation of images of God (including Jesus) was counter to their understanding of the Second ...
A uniquely Christian perspective on the image of God is that Jesus Christ is the fullest and most complete example of a human in God's image. Hebrews 1:1 refers to him as "the very image of his substance" and Colossians 1:15 reveals Jesus as "the image of the invisible God". This is relevant to Christology which is beyond the scope of this ...
God the Father on a throne, with the Virgin Mary and Jesus, Westphalia, Germany, late 15th century.. The Second Council of Nicaea in 787 effectively ended the first period of Byzantine iconoclasm and restored the honouring of icons and holy images in general. [13]
God the Father is symbolized in several Genesis scenes in Michelangelo's Sistine Chapel ceiling, most famously The Creation of Adam (whose image of near touching hands of God and Adam is iconic of humanity, being a reminder that Man is created in the Image and Likeness of God ).God the Father is depicted as a powerful figure, floating in the ...
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Literary mentions of Christian images greatly increase, in the accounts of pilgrims to the Holy Land, in works of history, and in popular accounts of the lives of saints; at the same time some of these begin to mention acts of iconoclasm against images. The legendary nature of much of the last two types of material is clear, but the stories ...
An early Church council defined veneration of icons based on the sacred mystery of the incarnation of Jesus Christ. The Person of Jesus was thought to reveal not only the Word of God (1Jn 1:1–4), but the image of God . Pre-Christian scriptures defined idolatry as worshipping of false gods. Church leaders defended images of Christ on the basis ...
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