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This is a list of songs that have peaked at number one on the Billboard Hot 100 and the magazine's national singles charts that preceded it. Introduced in 1958, the Hot 100 is the pre-eminent singles chart in the United States, currently monitoring the most popular singles in terms of popular radio play, single purchases and online streaming.
The following artists spent the most weeks at number one on the chart during the 2000s. A number of artists claimed number-one positions as either the lead artist or a featured artist. Rihanna's "Umbrella" featuring Jay-Z, for example, was counted for both artists because they are both credited on the single.
This is a list of songs which received the most airplay per week on radio stations in the United States as ranked and published by Billboard magazine on the Hot 100 Airplay chart during the 2000s. Number-one airplay hits
Faith Hill's single "Breathe" was the first country music recording to be ranked number one since Johnny Horton's "The Battle of New Orleans" in 1959. (Patsy Cline's "I Fall to Pieces" and Glen Campbell's "Rhinestone Cowboy" had each come close, ranking second.) Her "The Way You Love Me" also made the list, at 41.
Stacker looked to Billboard to find 20 songs that resurfaced on one of its several charts at least a decade after their original release.
The Billboard Year-End chart is a chart published by Billboard which denotes the top song of each year as determined by the publication's charts. Since 1946, Year-End charts have existed for the top songs in pop, R&B, and country, with additional album charts for each genre debuting in 1956, 1966, and 1965, respectively.
The Billboard Hot 100 is a singles chart published by Billboard that measures the most popular singles in the United States, based on sales (physical and digital), online streaming, and radio airplay. Throughout the history of the Hot 100 and its predecessor charts, many songs have set records for longevity, popularity, or number of hit singles ...
The 2000s in rock radio in the United States saw a continued blurring of the playlists among mainstream rock and alternative rock stations. Every track that was ranked by Billboard as the number-one song of the year on its Mainstream Rock Tracks chart during the decade was also a top-five hit on the Alternative Songs chart, most of which topped both charts.