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A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
"Three Chords and the Truth" was co-written by Sara Evans, Ron Harbin, and Aimee Mayo. The latter songwriter would later be a frequent collaborator with Evans. [2] [failed verification] The song's plot focuses on lost love and the narrator reconciling with her partner. The song references the famous description of country music by Harlan Howard.
Three Chords and the Truth may refer to: "Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted ...
Three Chords and the Truth is the debut studio album by American country music artist Sara Evans. The album's title comes from Harlan Howard, a country music songwriter to whom this quote is widely attributed. It also was an improvized lyric in U2's version of the Bob Dylan song "All Along the Watchtower," released on the Rattle and Hum album.
[2] "Songwriter Harlan Howard coined the phrase “Three chords and the truth” to describe the necessary ingredients for country and western music", it notes, but finds that "this isn’t a country record. Van’s talking about his desire to take simple rhymes and traditional song structures and imbue them with Caledonia soul heaviness."
Many simple traditional music, folk music and rock and roll songs use only these three chord types (e.g. The Troggs' "Wild Thing", which uses I, IV and V chords). The same major scale also has three minor chords, the supertonic chord (ii), mediant chord (iii), and submediant chord (vi), respectively.
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