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Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
Seker, a falcon god of the Memphite necropolis who was known as a patron of the living, as well as a god of the dead. He is known to be closely tied to Osiris He is known to be closely tied to Osiris Serapis , Graeco-Egyptian syncretistic deity, combining elements of Osiris , the Apis Bull , Hades , Demeter , and Dionysus .
The Nekromanteion (Greek: Νεκρομαντεῖον) was an ancient Greek temple of necromancy devoted to Hades and Persephone. According to tradition, it was located on the banks of the Acheron river in Epirus, near the ancient city of Ephyra. This site was believed by devotees to be the door to Hades, the realm of the dead.
The Rape of Persephone: Persephone is abducted by Hades in his chariot. Persephone krater Antikensammlung Berlin 1984.40. Persephone (also known as Kore) was the daughter of Demeter, the goddess of the harvest, and Zeus. Persephone was abducted by Hades, who desired a wife.
The best-known myth involving Pluto or Hades is the abduction of Persephone, also known as Kore ("the Maiden"). The earliest literary versions of the myth are a brief mention in Hesiod's Theogony and the extended narrative of the Homeric Hymn to Demeter; in both these works, the ruler of the underworld is named as Hades ("the Hidden One").
Martin Litchfield West argues instead for an original meaning of "the one who presides over meeting up" from the universality of death. [9] Hades (right) and Persephone (left). Detail from an Attic red-figure amphora, c. 470 BC. From Italy. In Homeric and Ionic Greek, he was known as Áïdēs. [10]
Allison Russell, the Grammy-winning Americana artist, is coming back up from the underground. On Sunday night, she finishes up a 15-week run in Broadway’s “Hadestown,” which has left her ...
Some other scholars have continued to cite Adonis/Tammuz as an example of a dying and rising god, suggesting that the descent into and return from the underworld is a functional analogue for death even if no physical cause of death is depicted. [69] [70] [71]
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