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G minor is a minor scale based on G, ... and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4.
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
The Phrygian dominant scale (a mode of the harmonic minor scale) The Arabic scales; The Hungarian minor scale; The Byzantine music scales (called echoi) The Persian scale; Scales such as the pentatonic scale may be considered gapped relative to the diatonic scale. An auxiliary scale is a scale other than the
The minuet from the Piano Sonata in E-flat major, Op. 44 ("The Farewell") by Jan Ladislav Dussek is in G-sharp minor. Frédéric Chopin composed a Polonaise in G-sharp minor , Op. posth., in 1822. His Étude Op. 25 No. 6 , the first mazurka from his Op. 33 and his 12th prelude from the 24 Preludes, Op. 28 , are in G-sharp minor as well.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
Another convention of G minor symphonies observed in Mozart's No. 25 and No. 40 was the choice of the subdominant of the relative key (B ♭ major), E ♭ major, for the slow movement; other non-Mozart examples of this practice include J. C. Bach Op. 6, No. 6, from 1769, Haydn's No. 39 (1768/69) and Johann Baptist Wanhal's G minor symphony ...
Piano Quintet in G minor (Sibelius) Piano Sonata No. 2 (Schumann) Piano Sonatas Nos. 19 and 20 (Beethoven) Piano Trio (Chopin) Piano Trio (Clara Schumann) Piano Trio No. 2 (Dvořák) Piano Trio No. 3 (Schumann) Polonaises, Op. posth. (Chopin) Prelude and Fugue in G minor, BWV 861; Prelude in G minor (Rachmaninoff)
The Aeolian mode is identical with the natural minor scale. Thus, it is ubiquitous in minor-key music. The following is a list of some examples that are distinguishable from ordinary minor tonality, which also uses the melodic minor scale and the harmonic minor scale as required. Traditional – "God Rest You Merry, Gentlemen"
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