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Research on dialogue journal use at all age levels—with native speakers of the language of the writing, first and second language learners, deaf students, and teachers—has identified key features of dialogue journal communication that set it apart from most writing in educational settings: authentic communication, collaborative learning and knowledge building, critical thinking, personal ...
The Reverend Mr. Thomas Dilworth (died 1780) was an English cleric and author of a widely used schoolbook, both in Great Britain and America, A New Guide to the English Tongue. Noah Webster as a boy studied Dilworth's book, and was inspired partly by it to create his own spelling book on completely different principles, using pictures and ...
extra (stylized as extr@) is a language education television programme franchise that was scripted in the format of a Friends-esque sitcom.It was in production from 2002 to 2004, and is mainly marketed to the instructional television market for middle school and high school language classes.
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Dialogic education is an educational philosophy and pedagogical approach that draws on many authors and traditions and applies dialogic learning. In effect, dialogic education takes place through dialogue by opening up dialogic spaces for the co-construction of new meaning to take place within a gap of differing perspectives.
Arab Israeli Dialogue is the tenth and final film directed by American independent filmmaker Lionel Rogosin. It is a filmed debate between the Palestinian poet Rashid Hussein and Israeli writer Amos Kenan, shot in the basement of Rogosin's Bleecker Street Cinema by Louis Brigante. The two participants discuss the conflict between their ...
Filming began in September 2006. [3]The original screenplay, as was the novel, was set in Maine, but according to the commentary on the DVD release of the film, director Lajos Koltai was so taken with the Newport house found by his location scouts that he opted to change the setting to Rhode Island.
The dialogue writer often stays in the recording setting with the actors or the voice talents, to ensure that the dialogue is being spoken in the way that it was written to be, and to avoid any ambiguity in the way the dialogue is to be read (focusing on emphasis, intonation, pronunciation, articulation, pronouncing foreign words correctly, etc ...
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