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Although another early song, "Peter Pan" was the first to be recorded, in 1918, Coward considered "Forbidden Fruit" to be his first full-length song, [4] [5] already exhibiting Coward's trademark "worldly cynicism", risque lyrics, and "love of the internal rhyme."
The literal subject of the Song of Songs is love and sexual longing between a man and a woman, and it has little (or nothing) to say about the relationship of God and man; in order to find such a meaning it was necessary to turn to allegory, treating the love that the Song celebrates as an analogy for the love between God and Church. [8]
The knowledge and power of God are expanding The vail o'er the earth is beginning to burst. The word "vail" is the (now archaic) spelling of "veil" as found in the original 1830 hymnal. The King James Version of the Bible uses both spellings of the word interchangeably.
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Music Inspired by The Story is a 2011 compilation album of songs by various contemporary Christian music artists. [5] The songs were inspired by scripture passages found in the Bible; it is included in a series with books by Max Lucado and Randy Frazee. [5] The album was named the Special Event Album of the Year at the 43rd GMA Dove Awards. [6]
"O the Deep Deep, Love of Jesus" is a well-known Christian hymn, written by the London merchant Samuel Trevor Francis. [1] Francis (1834–1925) had a spiritual turning point as a teenager, contemplating suicide one night on a bridge over the River Thames. Experiencing a renewal of faith, he went on t
The song is a lyrical paraphrase of 1 Corinthians 13, which is a passage that speaks of love.The duo shared their personal stories with New Release Tuesday in July 2012. Luke explained, "Joel came to me in the studio that day and told me he wanted to write something that would gently nudge and encourage people and at the same time challenge the
It reached number seven during the fall of 1955 and is the most successful version of the song. The B-side of Cornell's record, "Love Is a Many-Splendored Thing," also reached the U.S. Top 40, peaking at number 26. [1] It was the theme song of the movie of the same name. His version was the second of five charting versions of the song during 1955.