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In some buildings, especially secular stoas and the like, the bottom of the shaft might be left smooth up to about the height of a man. Greek Doric columns had no base, and this prevented the flutes, which ended in a sharp arris, being worn down by people brushing past. [ 3 ]
186 etched glass at Bankfield Museum. Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
The frosted glass effect can also be achieved by the application of vinyl film, used as a sort of stencil on the glass surface. "Photo-resist", or photo-resistant film is also available, which can be produced to mask off the area surrounding a decorative design, or logo on the glass surface. A similar effect may also be accomplished with the ...
The glass floats on the tin, and levels out as it spreads along the bath, giving a smooth face to both sides. The glass cools and slowly solidifies as it travels over the molten tin and leaves the tin bath in a continuous ribbon. The glass is then annealed by cooling in an oven called a lehr. The finished product has near-perfect parallel surfaces.
Float glass is a sheet of glass made by floating molten glass on a bed of molten metal of a low melting point, typically tin, [1] although lead was used for the process in the past. [2] This method gives the sheet uniform thickness and a very flat surface. [ 3 ]
This type of glass was fragile and difficult to cut, but it could be enameled and engraved. [37] Manganese dioxide, a de-coloring agent, [36] was a key ingredient in the secret formula used to make cristallo. [8] An easy modification to cristallo made in Murano was to produce a frosted or crackle version. [38]
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