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Rumi's ghazal 163, which begins Beravīd, ey harīfān "Go, my friends", is a Persian ghazal (love poem) of seven verses by the 13th-century poet Jalal-ed-Din Rumi (usually known in Iran as Mowlavi or Mowlana). The poem is said to have been written by Rumi about the year 1247 to persuade his friend Shams-e Tabriz to come back to Konya from ...
The Masnavi, or Masnavi-ye-Ma'navi (Persian: مثنوی معنوی, DMG: Mas̲navī-e maʻnavī), also written Mathnawi, or Mathnavi, is an extensive poem written in Persian by Jalal al-Din Muhammad Rumi, also known as Rumi. It is a series of six books of poetry that together amount to around 25,000 verses or 50,000 lines.
Illuminated frontispiece of the poetry of Rumi, c. 1461. The Sufi conception of love was introduced first by Rabia of Basra, a female mystic from the eighth century. Throughout Rumi's work the "death" and "love" appear as the dual aspects of Rumi's conception of self-knowledge. Love is understood to be "all-consuming" in the sense that it ...
It likely set the stage for later poetry in this style by mystics such as Attar and Rumi. [ 70 ] Rumi's other major work is the Dīwān-e Kabīr ( Great Work ) or Dīwān-e Shams-e Tabrīzī ( The Works of Shams of Tabriz ; دیوان شمس تبریزی ), named in honour of Rumi's master Shams .
While following the long tradition of Sufi poetry as well as the traditional metrical conventions of ghazals, the poems in the Divan showcase Rumi’s unique, trance-like poetic style. [3] Written in the aftermath of the disappearance of Rumi’s beloved spiritual teacher, Shams-i Tabrizi , the Divan is dedicated to Shams and contains many ...
Rather than modeling writing as a creative process, the love letter algorithm represents the writing of love letters as formulaic and without creativity. [8] The algorithm has the following structure: Print two words taken from a list of salutations; Do the following 5 times: Choose one of two sentence structures depending on a random value Rand
Writing about his poetry, Turkish literary historians and critics often use the word sade ("simple, unadorned"). In that simplicity, Eşrefoğlu's verses are diametrically opposite, for the most part, those of the high classical tradition with their complex figures of speech and multiple nuanced meanings.
Iblis the originator of analogical reasoning applied to the Word of God; Mystical experiences must be kept hidden from the vulgar; The contention between the Greek and Chinese artists; The Vision of Zayd; Luqmán and his fellow-servants; The conflagration in Medina in the days of the Caliph 'Umar 'Alí and the infidel who spat in his face