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Before his addition to the animated shorts, the name "Sweet Pea" was a term of affection used by main character Popeye. In the cartoon We Aim to Please , he addressed girlfriend Olive Oyl that way. As the years went on, Swee'Pea apparently aged enough to speak normally, and could throw punches if necessary; however, his appearance remained that ...
The nephews are unhappy with the short story but are sent to bed anyway. The nephews are not so tired and eventually start playing music with various objects (such as mattress springs, suspenders, medicine bottles, etc.), and Popeye eventually hears the racket and destroys the radio trying to find what's causing the noise.
Popeye's theme song, titled "I'm Popeye the Sailor Man", composed by Sammy Lerner in 1933 for Fleischer's first Popeye the Sailor cartoon, [70] has become forever associated with the sailor. " The Sailor's Hornpipe " has often been used as an introduction to Popeye's theme song.
The first of three cartoons to feature Popeye's Navy buddy, Shorty (voiced by Gilbert Mack [3]) Except for uncut airings on The Popeye Show, the ending gag is usually cut from TV airings such as TBS and Boomerang in the United States due to its content suggesting murder, though the "murder" scene was in the dark; 121 Wood-Peckin' August 6 Nick ...
The Popeye Song Folio is a collection of 24 songs issued by Popular Melodies, Inc. 1619 Broadway, New York City in 1936. They contain the tunes played in the various Popeye cartoon short series directed by Dave Fleischer .
Popeye and Son is an American animated comedy series based on the Popeye comic strip created by E.C. Segar and published by King Features Syndicate.Jointly produced by Hanna-Barbera and King Features subsidiary King Features Entertainment, the series aired for one season of thirteen episodes on CBS from September 19 to December 12, 1987. [1]
a.a.p. Records, Inc. was a music arm of a.a.p., which distributed the Official Popeye TV Album. United Telefilms Limited was the Canadian division of a.a.p., which existed around the same time. Live action films used a variation of the main a.a.p. logo, but the initials "UTL" would be spelled out, and a notice at the bottom said "Distributed in ...
With the coming of sound film, Lerner began writing songs for motion pictures, including several for use in the Paramount Pictures cartoons produced by Fleischer Studios. Two of these included signature songs for Max Fleischer 's most successful cartoon stars, Betty Boop ("Don't Take My Boo-oop-a-doop Away", co-written with Sammy Timberg ) and ...
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