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The most enduring genres are those literary forms that were defined and performed by the Ancient Greeks; definitions sharpened by the proscriptions of modern civilization's earliest literary critics and rhetorical scholars, such as Plato, Aristotle, Socrates, Aeschylus, Aspasia, Euripides, and others.
The canon of a work of fiction is "the body of works taking place in a particular fictional world that are widely considered to be official or authoritative; [especially] those created by the original author or developer of the world". [2] Canon is contrasted with, or used as the basis for, works of fan fiction and other derivative works. [3]
A "canon" is a list of books considered to be "essential", and it can be published as a collection (such as Great Books of the Western World, Modern Library, Everyman's Library or Penguin Classics), presented as a list with an academic's imprimatur (such as Harold Bloom's [6]), or be the official reading list of a university.
Ben Bova, remarking on the distinction between genre and non-genre works, argued that "the literature of the fantastic was the mainstream of world storytelling from the time writing began until the beginning of the seventeenth century", and that older classics have more in common with modern, fantastical genre works than with the genre of ...
The term canon derives from the Greek κανών (kanon), meaning "rule", and thence via Latin and Old French into English. [1] The concept in English usage is very broad: in a general sense it refers to being one (adjectival) or a group (noun) of official, authentic or approved rules or laws, particularly ecclesiastical; or group of official, authentic, or approved literary or artistic works ...
Modernist literature originated in the late 19th and early 20th centuries, and is characterised by a self-conscious separation from traditional ways of writing in both poetry and prose fiction writing. Modernism experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new". [1]
The origins of modern Western genre theory can be traced to the European Romantic movement in the late eighteenth and early nineteenth centuries, during which the concept of genre was scrutinized heavily. [6] The idea that it was possible to ignore genre constraints and the idea that each literary work was a "genre unto itself" [6] gained ...
The Proletarian poetry is a genre of political poetry developed in the United States during the 1920s and 1930s that endeavored to portray class-conscious perspectives of the working-class. [64] Connected through their mutual political message that may be either explicitly Marxist or at least socialist , the poems are often aesthetically disparate.