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Inflection is the process of adding inflectional morphemes that modify a verb's tense, mood, aspect, voice, person, or number or a noun's case, gender, or number, rarely affecting the word's meaning or class. Examples of applying inflectional morphemes to words are adding -s to the root dog to form dogs and adding -ed to wait to form waited.
Creaky voice is frequent in a number of languages, including Finnish, where it serves as a cue for phrase-boundaries and turn-taking. [13] Some languages, such as Jalapa Mazatec , use vocal fry (creaky voice) as a linguistically significant marker; the presence or absence of vocal fry can then change the meaning of a word.
For example, the Spanish verb comer ("to eat") has the first-person singular preterite tense form comí ("I ate"); the single suffix-í represents both the features of first-person singular agreement and preterite tense, instead of having a separate affix for each feature. Another illustration of fusionality is the Latin word bonus ("good").
Inflections in speech is the variation of rise and fall of the volume of tone. Inflection in speech is vital for intonation for intelligible speaking. [10] Intonation of the voice engages the attention and concentration of the listener. Inflections in speech can impact the relative importance of information.
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
Grammatical categories are indicated by word order (for example, inversion of verb and subject for interrogative sentences) or by bringing in additional words (for example, a word for "some" or "many" instead of a plural inflection like English -s). Individual words carry a general meaning (root concept); nuances are expressed by other words.
In other words, it involves the combination of more abstract units of meaning than derivational synthesis. [3] In the following examples many of the morphemes are related to voice (e.g. passive voice), whether a word is in the subject or object of the sentence, possession, plurality, or other abstract distinctions in a language: Italian
Paralanguage, also known as vocalics, is a component of meta-communication that may modify meaning, give nuanced meaning, or convey emotion, by using techniques such as prosody, pitch, volume, intonation, etc. It is sometimes defined as relating to nonphonemic properties only. Paralanguage may be expressed consciously or unconsciously.